The clothed figure can be just as reveiling as the naked pose. The folds and pleats of fabric add dimension and form and I particularly like the John Waterhouse painting of the women water carriers which show this to perfection. I like the way the folds in clothing accentuate the anatomy of the women. John Waterhouse (1849 -1917) was an English painter who entered the Royal Academy in 1870. A lot of his work came from classical and ancient history. He was also a member of the Pre Raphallite movement which is also called Romanticism and these were a group to poets and artists dedicated to portraying the classical stories and paintings in a romantic wistful way.
The Danaides 1904 Oil on Canvas Bridgeman Education libraryThe second attempt was in charcoal and I did find this exerise difficult at first and then just tried to look for shapes and keep it simple. I also found isolating tone and light quite difficult so I decided to crumple up some paper and draw by looking at shapes only and this was immensely helpful. The next task was to draw a person seated and relax using hatching to create form so that the fabric and form appear to have weight. I think that I have achieved what I set out to do and that was to show that there was structure underneath the the clothing. The chin isn't in proportion but I was focusing on the body as a whole and I enjoyed this exercise and I had to think hard about the hatching but as I got going with it, it seemed to become easier. At first it was a challenge to create volumn to the folds but this is where doing the crumpled paper exercise helped as I started to look for shapes and to start with it didn't make much sense but as I continued I could see where the darks in the fold should be.
No comments:
Post a Comment